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The Early Toltec Teachings of Don Miguel Ruiz and Sister Sarita

Imagine what your life would be like if you felt totally safe at all times, passionately loved yourself unconditionally, knew you were already perfect and profound joy infused every moment. Freedom is your birthright. Learn how to be happy no matter what is happening in your life.

If you have ever questioned the way you have been taught to view the universe, journey into the world of a Nagual. Join Susan as she relives her personal experiences while helping you perceive the world in a whole new way. Remember the truth of who you are: joyous, intuitive, loving, and free.

“Susan . . . provides access to the shamanic tradition of Southern Mexico first popularized by Carlos Castaneda. She clearly translates the ancient wisdom through the filter of a woman’s wisdom and open heart.”
-- Dan Millman, author of The Way of the Peaceful Warrior

“A fascinating journey into Shamanism spirit.”
--Lynn Andrews, author of Medicine Woman

“If you decide the practice these techniques, they will guide you to your personal freedom, to your happiness, to your self-realization.”
Don Miguel Ruiz, author of The Four Agreements

About the Author

Susan Gregg is the author of nine books including the award winning Mastering the Toltec Way. She was born in Queens, New York and earned a bachelor’s degree in math from the University of Vermont.

After he mother's death in a car accident she moved to San Diego where she met Sister Sarita and her son Miguel. While she completed her apprenticeship with Sister Sarita and Don Miguel Ruiz she earned her doctorate degree in clinical hypnotherapy.

For the last 26 years she has taught thousands of people how to live in true happiness. She believes it is our birthright to be happy and that magic and miracles are a natural part of everyday life. She lives on the beautiful island of Hawaii with her partner of 19 years and her beloved rescued animals. Her web site is http://susangregg.com. She loves to hear from her readers so feel free to drop her a line.

• Sales Rank: #609926 in eBooks
• Published on: 2015-07-28
• Released on: 2015-07-28
• Format: Kindle eBook

Review
A fascinating journey into Shamanism spirit. -- Lynn Andrews, author of Medicine Woman

If you decide to practice these techniques, they'll guide you to your personal freedom, to your happiness, to your self-realization. -- don Miguel Ruiz, author of The Four Agreements

Susan clearly translates the ancient wisdom of Southern Mexico through the filter of a woman's wisdom and open heart. -- Dan Millman, author of the Peaceful Warrior

From the Publisher
SUMMARY:
Early in her training, Susan was told by don Miguel Ruiz, author of The Four Agreements, that personal freedom was the ability to be happy no matter what was happening in the world around her. In order to experience this freedom, she had to take a journey into other realms that totally transformed the way she experienced life and reality. This newly updated book is the story of her journey into the world of ancient Toltec wisdom, where she discovered a new way of living based on personal freedom and authentic power.

WHAT READERS WILL LEARN:
As you join Susan on her journey the practical exercises at the end of each chapter will show you how to achieve a sense of oneness with yourself and the world as you examine and transcend your old, limiting beliefs and opinions about yourself and your world. These techniques will help you experience the truth of who and what you are. You will learn how to be happy and feel safe no matter what is happening around you.

From the Author
Very empowering for anyone who is ready to shed old limiting beliefs and create a new reality of joy and freedom.

Most helpful customer reviews

10 of 11 people found the following review helpful.
empowerment, enlightenment and adventure
By john tannian
this year, susan revised and updated this story of her toltec journey and studies with don miguel ruiz and his mother, sister sarita. her growth as a teacher and student of ancient hawaiian spirituality has given her new insights, perspective and wisdom that she shares freely. this book is an excellent introduction to the ongoing process that studying and living the toltec way can be. her version of the toltec way is a more kind, gentle and loving approach than castaneda or mares. try her website if you can't find the new version. try her website anyway! she's a warm and wonderful teacher.

9 of 11 people found the following review helpful.
What a gift!!!!!
By an avid reader
I have read several of Gregg's other books this one is truly inspiring. Not only does she share her own journey, but she provides exercises that helped me explore my own inner quest. This is a must read for anyone interested in changing their life.

1 of 1 people found the following review helpful.
A beautiful book.
By Angela Kopolovich
I'd recommend this book to anyone interested in spirituality and self-discovery. It's beautifully written, but the stories and experiences Susan describes are truly incredibly inspiring. I didn't realize it until the end, but the whole book is really an exploration of the gentle, loving, feminine energy of Shamanism - a welcome contrast to the male dominated arena. Parts of the book made me long for similar experiences, and those same parts made me realize that I'm not sure I'd have the courage to stick with it the way Susan did. An amazing courageous journey!

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The book covers best practices from data warehouse project inception through on-going program management. About 30 to 40% of the content in the book is updated and new. This revised tutorial covers major lifecycle topics such as dimensional modeling, tech architecture, etl, bi etc. It is targeted at both novice and experienced data warehouse professionals. About the author: ralph kimball is known worldwide as an innovator, writer, educator, speaker and consultant in the field of data warehousing. His books on data warehousing and dimensional design techniques have become the all time best sellers in data warehousing. To date ralph has written more than 100 articles and columns for intelligent enterprise and its predecessors, winning the readers' choice award five years in a row. Margy ross is president of the kimball group. She has focused exclusively on decision support and data warehousing for more than twenty years. In addition to her consulting activities, margy teaches kimball university classes, both domestically and internationally. She co-authored the data warehouse toolkit, 2nd edition and the data warehouse lifecycle toolkit and regularly writes the data warehouse designer column for intelligent enterprise. Bob becker has worked to implement large-scale decision support and data warehousing systems since 1990. Bob teaches kimball university on-site courses. Joy mundy has focused on data warehousing and business intelligence since the early 1990s, specializing in business requirements analysis, dimensional modeling, and business intelligence systems architecture. Warren thornthwaite has been building decision support and data warehousing systems since 1980. Table of contents: acknowledgments introduction ?introducing the kimball lifecycle ?launching and managing the project/program ?collecting the requirements ?introducing the technical architecture ?creating the architecture plan and selecting products ?introducing dimensional modeling ?designing the dim

• Sales Rank: #774121 in Books
• Published on: 2012
• Binding: Paperback

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[W316.Ebook] Download Livia: First Lady of Imperial Rome, by Anthony A. Barrett

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This is the first biography in English of one of Rome's most famous and infamous women, Livia (58 BC-AD 29), wife of Augustus and mother of Tiberius, who dominated imperial politics for decades. The first half of the study presents a chronological history of her extraordinary life followed by a thematic exploration of the huge influence she had which was a continuous source of contention between Livia and Tiberius. Almost half of the book comprises appendices, sources and notes, leaving the first part of the study more accessible to general readers. This is a scholarly work which strives to correct the lasting impression that Robert Graves (in I Claudius ) has left of a manipulative murderess.

• Sales Rank: #1837568 in Books
• Published on: 2002-12-31
• Original language: English
• Number of items: 1
• Dimensions: 1.23" h x 6.36" w x 9.46" l,
• Binding: Hardcover
• 464 pages

From Library Journal
Barrett, who has written biographies of Caligula and Agrippina, here reconstructs the life of a noteworthy Roman historical figure about whom little direct information is available. Livia maintained a "deliberate reserve" throughout her life and was steadfastly committed to being the Emperor Augustus's wife. Much has been suggested about the influence she had on her husband during his tenure, and common belief holds that she deliberately poisoned his successors. Barrett counters the mostly negative attacks on her character, arguing that much of what has been said about her is spurious. As such, those responsible for documenting the imperial family, such as the historian Tacitus, get scrutinized. Barrett explores other facets of Livia's personality, such as her interest in horticulture and political patronage. The book presents the general politics of the time and highlights other key figures from imperial Rome. Surprisingly, Livia was highly regarded by the Roman Senate, as well as by other peers, who often commended her for her generosity. Barrett's work is probably denser and more detailed than would interest the average reader, but for those keenly interested in studying ancient Rome it comes as a welcome addition to the genre. Recommended for academic libraries. Isabel Coates, CCRA-Toronto West Tax Office, Mississauga, Ont.
Copyright 2002 Cahners Business Information, Inc.

Review
Barrett is an assured and often amusing guide. -- Mark Golden, Globe and Mail (Toronto)

Barrett's excellent life of Livia…forms a worthy companion to his earlier biography, Agrippina. -- (Choice)

From the Back Cover
"In his previous books on Caligula and Agrippina, Anthony Barrett has amply proven his competence as an imperial biographer. Now he adds an excellent biography of Livia-as appealing to the general reader as it is satisfying to the scholar." -Colin M. Wells, Trinity University, San Antonio

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17 of 17 people found the following review helpful.
Livia has left the building
By Carl Reddick
LIVIA (First Lady of Imperial Rome)was just that. She was Augustus' wife and the mother of Tiberius and the grandmother of Caligula, Claudus, and Nero. As the first 'first lady' of the Imperial age she set the tone and pace of what would become the de-facto wife-of-an emperor (Augustus). No one had ever been in this position before. History has painted her as a murdering poisoner but author Anthony Barrett sets the gossip aside and plows right through the original sources teaching us why Tacitus and other primary sources were prejudiced against her and have handed down a tainted picture of her situation. Make no mistake, this was a hard book to read. It is real history by a real historian. But the effort really pays off if you are interested how Augustus and his wife virtually invented the politics that came to run the machinery started by Julius Caesar prior to his slaughter in the Senate House. I give it all 5 stars but caution that you should look elsewhere if you are just starting your adventure in reading about the glory that was Rome.

0 of 0 people found the following review helpful.
What Was Caesar Augustus' Wife, Livia, really like?
By Robin E. Levin
If there is a message in Anthony Barrett’s scholarly and impeccably researched tome on Caesar Augustus’s wife, Livia, it may be that even the best of historical fiction literature should be taken with a grain of salt. Robert Graves’ novels, I Claudius and Claudius the God are classics, but should not be taken at face value. If you want facts, consult an actual historian.
“If the general public has any impression of Livia, the wife of the first Roman emperor, Augustus, it is of the character created by the Welsh actress Sian Phillips in the highly acclaimed BBC-TV series production of I, Claudius, first broadcast in 1976. This popular confusion between the historical and the fictional is hardly surprising, given Phillip’s riveting performance. Cunning and sinister, her Livia devotes every waking hour to her consuming interests: plotting, scheming, conniving, and the cheerful eradication of an assorted variety of fellow citizens, be they strangers, friends, or even close family.
“One of the burdens shouldered by the modern historian is that of correcting false impressions created by the popular media, particularly dangerous when a production is distinguished and the performances brilliant.”
In my pseudo-autobiography, Sempronia, the Sister of the Gracchi, I have Sempronia opining “If ever you are about to be born and the gods grant you the decision as to whether you want to be born into the most illustrious family in Rome, or to some poor family who is just part of the head count, I strongly recommend that you choose the head count family.” Sempronia was referring to her illustrious family, the Scipios, but this advice would go double for someone contemplating being born into the family of the Julio-Claudian dynasty. The premature mortality among the members of this family is incredibly high.
But how much, if any of this was the doing of Augustus’ wife Livia? Anthony Barrett believes little or none. He dismisses the deaths Gaius and Lucius, the two elder sons of Augustus’ daughter Julia and Marcus Vipsanius Agrippa, as a war casualty and a natural death respectively. The death of the third son, Postumus Agrippa, is clearly murder. It occurred upon the heels of Augustus’s death, and was no doubt upon the order of someone high up in the power structure, but Barrett feels that there is not enough evidence to pin it on Livia.
Barrett sees no evidence of foul play in the deaths of Octavia’s son Marcellus, or in the death of Tiberius’ brother Drusus. Germanicus, the son of Drusus, clearly thought he had been poisoned and said so before he died. Some pin the blame upon Plancina, the wife of Germanicus’ rival, Calpurnius Piso, who was a close friend of Livia. Again, Barrett feels that there is not enough evident to implicate Livia.
Barrett blames the death of Tiberius’ son Drusus on his wife Livilla and her paramour Sejanus. He claims that Livia protected the lives of Germanicus’ widow Agrippina and her sons Nero and Drusus while she lived, and it was only after Livia’s death that they fell prey to the machinations of the scheming Sejanus.
It is entirely possible that Livia exerted a moderating influence upon both her husband Augustus and her son Tiberius. It has been noted that as a young man, Octavian was bloodthirsty but became far less so after he consolidate his power. Might this have been somewhat due to Livia’s influence? Conversely, Tiberius seems to have become more murderous after Livia died. Barrett presents a lot of anecdotal evidence of Livia interceding on the behalf of Romans who had fallen out of favor with the Emperors, both Augustus and Tiberius.
Barrett’s book is not for the casual reader. It is a scholarly and heavily detailed tome of which nearly half the pages are appendices and footnotes. The reader must be motivated to plow through it, but one will find some fascinating information about the Julio-Claudian family and the Roman empire of that period of time.

5 of 5 people found the following review helpful.
Exhaustive research
By mitty
I've wavered between a two and three star rating for Livia: First Lady of Imperial Rome by Anthony A. Barrett. Finally, on account of his exhaustive research I've come down on a three star rating.

Apparently there is not much in the way of hard evidence as to Livia's personality or actions. Barrett makes it very clear that historians Tacitus', Seneca and Suetonius et als are torn, and conflicting in their portrayal of Livia. The former being the most acid and hostile to Livia.

Barrett begins his biography by devoting paragraphs to speaking of Robert Graves' portrayal of Livia in I, Claudius and Claudius the God, including the BBC filming of same. He states (correctly) that Sian Phillips's portrayal of Livia was so strong, it has taken over popular opinion as the "real" Livia. There is a great deal of truth in what he says. However as far as I am concerned, Barrett has done very little to counteract that picture.

He states time after time (ad nauseam) that there is no verifiable proof of Livia being a poisoner as stated in Graves books. Every step of the way though, Barrett backs up the verifiable events as seen in Graves work. There is nothing to counteract those assumptions of being a poisoner. And, I hasten to admit, as far as I can tell, they are assumptions. We have no forensic proof that Livia poisoned the ones she was accused of poisoning in Graves books. As Barrett presents her Livia did in fact, have motive and opportunity to commit those crimes that she has been accused of.

Livia is presented by Barrett as being the epitome of Roman Womanhood, an example to be followed in every way. Loyal, and doing everything possible to support her husband. Let us also remember that Octavian/Augustus ran roughshod over many to become Emperor, and was politically savvy and an opportunist.

From the Preface:
"One of the burdens shouldered by the modern historian is that of correcting false impressions created by the popular media, particularly dangerous when a production is distinguished and the performances brilliant. This process usually involves the thankless task of demonstrating pedantically that, contrary to popular belief, truth is rarely stranger than fiction, and is usually far less exciting."

Barrett seems to have shot himself in the foot in my view, as he doesn't prove anything, and is far too repetitive, and far too (his word) pedantic.

In fact, as far as I am concerned, methinks the historian doth protest too much.

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• Sales Rank: #3571208 in Books
• Binding: Paperback

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[Z151.Ebook] Download Metamorphoses: A New Translation, by Ovid

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"A version that has been long awaited, and likely to become the new standard."―Michael Dirda, Washington Post

Ovid's epic poem―whose theme of change has resonated throughout the ages―is one of the most important texts of Western imagination, an inspiration from Dante's times to the present day, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work. Charles Martin combines a close fidelity to Ovid's text with verse that catches the speed and liveliness of the original. Martin's Metamorphoses will be the translation of choice for contemporary readers in English. This volume also includes endnotes and a glossary of people, places, and personifications.

• Sales Rank: #24021 in Books
• Published on: 2005-01-17
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x 1.20" w x 5.50" l, 1.10 pounds
• Binding: Paperback
• 624 pages

Features

• ISBN13: 9780393326420
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
"Smoothly readable, accurate, charming, subtle yet clear.... A lucidly fluent version of this most flowing of poems."

This translation of the Metamorphoses is all that one could wish. --Richard Wilbur

Among the accomplished translations of Ovid in our day, this version of Metamorphoses by Charles Martin elegant, witty and exuberant by turns, and epic in its span from the creation of the world to the apotheosis of Julius Caesar should now lay claim to its own distinguished ground. --Robert Fagles

Charles Martin's new translation of the Metamorphoses, the latest in a 500-year-old tradition, both gives us an Ovid for our times and reminds us that in our times Ovid is everywhere.

[Martin] has caught Ovid's sly ironies, his un-Virgilian briskness, and his own kind of tough-minded pathos, and has created a completely convincing poetic voice. The translation is a marvel. --Rosanna Warren

I read right through this translation and so exhilarated was the handling of movement and metaphor throughout that when I finished I wanted to start over.... Charles Martin is to be congratulated for a singular achievement. --William Jay Smith

Ever since Horace Gregory published his translation of The Metamorphoses in 1958, it hasn't been bettered until now. Charles Martin's muscular version in blank verse is remarkably lively and modern, the Ovid for our time. --Robert Phillips

This translation of the Metamorphoses is all that one could wish. --Richard Wilbur"

Among the accomplished translations of Ovid in our day, this version of Metamorphoses by Charles Martin elegant, witty and exuberant by turns, and epic in its span from the creation of the world to the apotheosis of Julius Caesar should now lay claim to its own distinguished ground. --Robert Fagles"

Charles Martin's new translation of the Metamorphoses, the latest in a 500-year-old tradition, both gives us an Ovid for our times and reminds us that in our times Ovid is everywhere. "

[Martin] has caught Ovid's sly ironies, his un-Virgilian briskness, and his own kind of tough-minded pathos, and has created a completely convincing poetic voice. The translation is a marvel. --Rosanna Warren"

I read right through this translation and so exhilarated was the handling of movement and metaphor throughout that when I finished I wanted to start over.... Charles Martin is to be congratulated for a singular achievement. --William Jay Smith"

Ever since Horace Gregory published his translation of The Metamorphoses in 1958, it hasn't been bettered until now. Charles Martin's muscular version in blank verse is remarkably lively and modern, the Ovid for our time. --Robert Phillips"

About the Author
Charles Martin is a poet, critic, and translator. His translation of Ovid’s Metamorphoses received the Harold Morton Landon Award from the Academy of American Poets in 2004. In 2005, he received an Award for Literature from the American Academy of Arts and Letters. He is the author of Signs & Wonders and Starting from Sleep: New and Selected Poems.

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75 of 81 people found the following review helpful.
A great classic and great translation
By Taka
Ovid, or Publius Ovidius Naso, justly deserves his acclaim as one of the three canonical poets of Latin literature alongside Horace and Virgil. And he knows it and doesn't bother to hide it, as he appends this bit of encomium to himself at the very end:

My work is finished now: no wrath of Jove
nor sword nor fire nor futurity
is capable of laying waste to it.
...
wherever Roman governance extends
over the subject nations of the world,
my words will be upon the people's lips
and if there is truth in poets' prophesies [sic, Quandoque bonus dormitat Homerus, as the Romans would say]
then in my fame forever I will live.

So he is the worst kind of genius: a genius who knows he is a genius. Witty, elegant, and lively, his Metamorphoses is a masterpiece of epic poetry that tells of the myriad odd transformations that mythical (and sometimes historical) figures from Orpheus and Icarus to Romulus and Julius Caesar go through. Throughout, he is delightfully and cuttingly mocking of pretty much the entire epic tradition and every great poet that came before him, including no less authors than Virgil and Homer themselves. In at least three elaborate scenes, he makes so much fun of epic battles and they are hilariously and eerily reminiscent of Quentin Tarantino's comical massacre scene in his Kill Bill Vol. 1. Hell, Ovid can be tragic, comic, moving, and sarcastic/satirical all at the same time without lacking in elegance. The poem, 15 books of 1,000 lines per book, so seamlessly integrates story after story of wildly differing genres and plots and lengths that it feels like you're reading a single monomyth without getting bored or overwhelmed. In fact, befitting its title, the stories are constantly changing and sprouting out - each little story feeding into the next and each book spilling into the next without pauses - always keeping the reader on his toe and more often than not leaving the reader breathless and reeling.

Charles Martin did a superb job translating the work. He uses free verse in rendering Latin dactylic hexameter into iambic-friendly English, and it is really good. It's lively, swift, and above all, elegant - or in other words, as Ovid ought to be. Except in the scene where the Muses battle it out with the Pierides, a.k.a. P-Airides whose verse is rendered in modern rap, the translation had everything right and good (though even the surreal rap battle scene was not so bad - just weird). If you're looking to read Ovid, buy this edition. It apparently doesn't add anything new to the original (as many editions do, rather profusely and liberally and thus preposterously), faithful to the original, and very reader-friendly. In my opinion, it belongs to the best translations of the classics.

61 of 67 people found the following review helpful.
My Workshop Participants Love this Translation!
By Amy Barr
I teach mythology and literature in translation. In my mythology section I had my students read a version of Ovid available online. They found the experience painful and dull, even though they were somewhat familiar with the story line. So, when I assigned a translation for my workshop on Ovid, I chose this one on the strength of various reviews. Its a real pleasure to have a group of students become ecstatic about a piece of ancient literature! The Lukeion Project will now being using this translation as required reading.

0 of 0 people found the following review helpful.
Approachable and Engaging
By A Customer
I am teaching this with upper-level seniors. It's approachable, engaging, and fun. My students are enjoying this piece of literature more than imagined they might. I will definitely keep this in the line-up for a few years because of the feedback I'm getting from the students.

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Aikido and the Dynamic Sphere: An Illustrated Introduction provides a complete foundation in the practice of one of the most distinctive and effective Japanese martial arts.

Aikido was created in Japan in the 1920's by Morihei Ueshiba, also known as Osensei. To possess the skills, techniques and attitude of the true practitioner of aikido, one must achieve a very high level of integration of the powers of mind and body, the harmonious combination of physical means and ethical motives. By controlling body position and learning how to harmonize vital physical and mental powers, anyone (regardless of size, strength or weight) can fend off attacks using this sophisticated martial art.

Written and illustrated by husband/wife team, Oscar Ratti and Adele Westbrook, Aikido and the Dynamic Sphere, with over 1,200 illustrations, includes many Aikido techniques in chapters such as:

• What is Aikido?
• The Foundations of Aikido
• The Practice of Aikido
• The Basic Techniques of Neutralization
• Advanced Practice
• And more!

• Sales Rank: #36784 in Books
• Brand: Adele Westbrook
• Model: 1028535
• Published on: 2001-07-01
• Released on: 2001-07-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.26 pounds
• Binding: Paperback
• 375 pages

Review
"…one of the best books on Aikido on the market. Not only for the beginner, but for the advanced practitioner. It's well respected by most people in Aikido. If you're looking for a good, in-depth book, this is the one you'll want." —RyukyuBooks.com

"…an outstanding introduction to the art of Aikido. Anyone starting out in aikido would do well to buy this book, read the beginning chapters of it and then review it from time to time. Great book!" —AikidoJournal.com

"If you are a student of Aikido, this book should definitely be in your library. If you're not a student of Aikido, this book can still be a useful way to familiarize yourself with the art on a theoretical level. It's also an interesting resource for anyone who wants to do some serious thinking about their martial art. Anyone who has ambitions to write a book on their own martial art should read this one; this is how an art should be presented." —Examiner.com

"…this is a fine addition to any library. […]the book definitely is worth owning." —BestJudo.com

"It has been a most useful reference for me over the years and I'd highly encourage any adult to make it a part of your personal Aikido library." —Teresa Mastison Sensei, Aikido of Phoenix

About the Author
Oscar Ratti received his degree in classical studies and law from the University of Naples where he was intercollegiate Greek-Roman wrestling champion and a member of the championship judo team. He later came to the United States and began to study aikido with Yasuo Ohara, one of the first instructors to teach in New York.

Adele Westbrook studied philosophy at Columbia University at the same time co-author Oscar Ratti was doing graduate work in the classical languages. They began to practice aikido together, and while studying under a variety of instructors in the United States and Europe, started the collection of notes and sketches which finally developed into this illustrated introduction to the art of aikido.

They also authored Secrets of the Samurai, and Mr. Ratti, now deceased, also provided the illustrations for Code of the Samurai, both available from Tuttle Publishing.

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0 of 0 people found the following review helpful.
This is a fantastic book, overall
By KFM
This is a fantastic book, overall, though I am probably not experienced enough yet to fully utilize it. The techniques are fully illustrated, and there is text to back it up where it's less clear. Foundational techniques like the kote gaeshi are illustrated in great detail, then other techniques that are built off of it are less descriptive, but still show what's going on. This book illustrates the flow of the techniques well, and while I'm sure it would be easier for a more experienced practitioner to follow, it helps me as a beginner to get a better grasp on the techniques that I've learned.

0 of 0 people found the following review helpful.
This is a wonderful and well thought out book for anyone interested in ...
By Michael H. Stowell
This is a wonderful and well thought out book for anyone interested in aikido regardless of your experience level.

0 of 0 people found the following review helpful.
Aikido's best reference book
By Danny H. Cogburn
Superb book and a cornerstone for any novice or advanced practitioner of the art of Aikido.

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• Sales Rank: #3370166 in Books
• Brand: Brand: Greenhill Pr
• Published on: 1996-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.00" w x 2.00" l,
• Binding: Hardcover
• 640 pages

Features

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Information Systems: A Manager's Guide to Harnessing Technology, v. 3.0 By: John Gallaugher eISBN: 978-1-4533-6657-8

• Sales Rank: #211724 in Books
• Published on: 2014
• Binding: Paperback

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