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• Published on: 2008-10-02
• Binding: Ring-bound
• 167 pages

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In a captivating, behind-the-scenes look into the creative process of a fantasy artist, renowned artist Boris Vallejo discusses in depth the techniques of a personal style that has placed him among the leading international fantasy and science fiction artists of today. 91 color images; 32 line drawings.

• Sales Rank: #5970424 in Books
• Published on: 1985-10-01
• Original language: English
• Number of items: 1
• Dimensions: 11.06" h x 8.27" w x .0" l, 1.18 pounds
• Binding: Paperback
• 128 pages

From School Library Journal

YA A lovely browsing collection of color reproductions that will appeal to young fantasy fans because of Vallejo's exciting renditions of unearthly creatures and sexy humans. The moods range from the frightening to the humorous. Vallejo describes various painting techniques in an accompanying text, and he includes some rough sketches to illustrate the development of painting. This book is more of an introduction to fantasy art appreciation than a course in technique. There is no index or list of illustrations.

Copyright 1986 Cahners Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

The Concept

The elements of a fantasy illustration need make no pretence of imitating life such as they must in, say, an illustration for a gothic, a mystery, or a novel. Fantasy engages the imagination to a much larger extent; the creatures portrayed may come partly or entirely from your head. And yet, to be successful, the scenes from your imagination must be convincing enough for a viewer to be willing to go along with you: to willingly suspend his disbelief and say, "Yes, this could work".

How does someone begin to create these wholly imaginary pictures? The answer to the eternal question "Where do your ideas come from?" seems obvious at first. Naturally, they come from my head. Where else? Ideas come from one's head. It's true, when you set a manuscript to illustrate, you're likely to find descriptions in it. Still, it is up to the artist to interpret them. All those alien beings and landscapes come into being from what is, in fact, known to us. Existing life may be the point of departure, yet all successful fantastical creatures must relate back to it as traceably as vertebrates do to the single-celled amoeba. Muscles are what makes movement possible for the higher forms of living creatures. If you want to paint a combination animal/machine, let's say, there must still be a relation to existing animals and existing machines; the musculature, at least, must be plausible.

The immediate environment is a tremendous source of ideas for me: shadows, shapes, things that, as a result of being near-sighted, I don't exactly see. It's pretty easy for me to reinterpret something twenty feet away which is already fuzzy. With a little push it readily loses its real contours and becomes something else in my eyes. If I start elaborating on what I don't clearly see, I can go in any direction. All I need is an existing starting point; my imagination takes over from there.

This odyssey of the imagination need not be a deliberate or controlled thing. It's much better when it's not directed, when I simply sit quietly and let it happen. In a sense, it's as though my ideas don't come out of me so much as I allow them to move in on me. The most important thing one can do to nourish the imagination is relax. I have noticed that when I specifically try to think of something, really strain towards an idea, very little happens. Whatever does happen is usually stilted and forced. If I relax and open the doors, so to speak, ideas do come.

Often enough, inspiration begins with the model. I see someone and I think: I would like to use this person for a painting; I would like to focus on this or that special feature of this person. From there I can evolve a character, an atmosphere, or an entire concept.

I once saw a young man at the gym I go to. He was an excellent bodybuilder, but the more notable quality about him was that he possessed not only huge muscles -- a really fine development -- but also a very boyish, almost child-like face, which presented a striking contrast with his physique. I stored this impression in the back of my mind, hoping that a job would come along for which I could use him. Then I was given a collection of stories by Isaac Asimov.

My original concept for this book's cover was of a young scientist type sitting on top of the earth in the middle of space. Subsequently I got a call from my client saying that although she liked the sketch, it was not exactly what she had in mind. What did she have in mind? Well, she was rather vague about that, but she preferred something with a more heroic feeling. As we were talking it occurred to me that, instead of emphasizing the human aspect of the stories, I might emphasize the mechanical.

It was then that I decided to do a robot -- not the typical machine-like robot, but a more human one who would, nevertheless, have a superhuman appearance. At once I made the connection between this idea and the young man I had seen in the gym. The fact that his face was so youthful and his body so highly developed led naturally to the idea of keeping the roundness of the muscles and the distinctive shape of the body but making it metallic, chrome, really beautiful and shiny out there in the middle of space. I still thought of having him standing on the earth, but as I worked, the earth changed into a simple globe. It also became shiny, like glass or chrome.

So, you see how the concept changed from the sketch of the robot that I started out with to the finished painting. With the use of that man as the model, the robot became an almost superhuman figure, spinning nebulae out of his bare hands. His face is nearly expressionless. Yet there is a suggestion of childlike wonder and joy at what he is doing: there he is in the middle of space, fascinated with the beautiful things he is creating. In this case, the "model" was just perfect, and the concept owed a great deal of its development to his physical characteristics.

Of course the concept may originate in a more general way than with the model. I may simply think: It would be nice to do something metallic; it would be nice to do something fluffy; it would be nice to do something in which I can concentrate wholly on the figure because the background would be negligible or, vice versa, in which I can concentrate mainly on the background because the figure is inconsequential.

Most often, however, the concept is established by the manuscript to be illustrated or by the movie for which a poster is to be made -- by the product to be sold. In the case of a book there is, first, the manuscript. There is an old saying that one shouldn't judge a book by its cover. But often enough a book is bought precisely because of its cover. Therefore, as an artist, what one must look for in a manuscript is a scene that is representative of the book, perhaps one with plenty of action or one that is, for its colour or subject, quite eye-catching. After all, there are hundreds of books on the bookstore shelves and the successful cover should draw the prospective buyer like a magnet.

Some authors are very descriptive and make the task of selecting a visually effective scene relatively easy. The Lavalite World is a good example. It is a book of adventures and consequently presents any number of action scenes involving the hero, the heroine, and the monster or villain. To show the hero and heroine riding a tree trunk into battle was, to my mind, colourful and unusual enough to evoke any browser's interest in the book.

Some authors are less visual in their writing. They write with less attention to detail and their imagery is more abstract. In such a situation one has to capture a feeling, something representative of the story rather than a particular scene or incident from it. This feeling must then by expressed in visual terms in order to convey an immediate sense of what is going on in the book. My illustrations for Enchantment, which my wife Doris wrote, exemplify this.

The painting for "Web" does not represent a particular scene from the story. It is simply a depiction of the way I experience a spider woman. I began with the question: What typifies a spider? It has eight legs. But I didn't want to paint a totally unappealing woman with eight hairy legs. I wanted a woman who was sensual and sexy-looking, but at the same time menacing, and who would still evoke the feeling of a spider -- perhaps with a spiderweb around her.

The painting that was done for Heavy Metal, however, was not inspired by a manuscript or anything more than the title of the magazine itself: HEAVY METAL. I began with the idea of something metal, a heavy metal. A safe came to mind. The door of a safe which, to me, was quite representative both of "metal" and of "heavy". From there followed the image of a bank vault. Yet this was a fantasy painting that I was going to do. What did fantasy have to do with a bank vault? I decided to put it into space; a heavy metal bank vault floating in outer space. Still, something fantastical had to happen. What if something is inside there, I thought. What would have to be locked behind such a door? Some kind of creature, obviously, that has to be kept from escaping. And what if the creature has been pounding at the door? What if the creature has a metal hand that it has been pounding and pounding the door with and has finally broken through? The first picture that flashed through my mind was of some powerful and monstrous creature. But that would have been a bit too ordinary. So I made it incongruous: a kind of wild-looking woman instead of a creature, not all that physically powerful in appearance but with a crazed look. She not only had the metal hand but the wild eyes and the wild red hair. All these elements brought together in a painting should really make the viewer stop and say: Look at that! What's going on there!

Copyright © Collins & Brown Ltd 1985
Text and illustrations copyright © Boris Vallejo 1985

Most helpful customer reviews

1 of 1 people found the following review helpful.
An excellent supplement to their Fantasy Workshop book
By Alaskaguy
I've been entralled by Boris and Julie's book covers for many years. Fixated by their figures, fantasy creatures, and supernatural landscapes, I couldn't even imagine painting figures in such detail myself. I really like this book, but will also admit that it left me a bit disappointed at first, not by what it included - but by what it lacked. Its strengths are summed up in Boris's sage advice that "the beginning artist should draw only what he sees" and its thorough demonstration of using models, reference photos, and sketching. By itself, that's well worth the price of this book - especially coming from a fantasy artist! Several step-by-step demos and many finished paintings add considerably to this, but still left me (then a wannabe artist) wanting to know more. What a surprize to find their other book Fantasy Workshop: A Practical Guide! Taken as a pair, these two books by Boris and Julie reveal a considerable amount of advice and details about techniques, style, composition, inspiration, and more for painters of all levels. In fact, they inspired me to take the plunge and try my hand at realistic portrait and figure painting. By following their methods and demos, I've been been pleasantly surprized with the results. I've since acquired more experience, as well as a substantial library of books by other authors (read my other reviews), but I find myself returning to this and others by Boris and Julie, for reference, techniques, and inspiration.

0 of 0 people found the following review helpful.
Boris at his best (imo)
By Amazon Customer
used to have this book back in the 80's.
was glad i found it again.
the artwork is fantastic.
you get some pencil work in the beginning and then the full color oil paintings.
love it.

0 of 0 people found the following review helpful.
Five Stars
By Sean
great

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• Published on: 1991-01-28
• Binding: Paperback

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This comprehensive introductory text integrates evolutionary, ecological, and demographic perspectives with new results from field studies and contemporary noninvasive molecular and hormonal techniques to understand how different primates behave and the significance of these insights for primate conservation. Each chapter is organized around the major research themes in the field, with Strier emphasizing the interplay between theory, observations, and conservation issues. Examples are drawn from the "classic" primate field studies as well as more recent studies on previously neglected species, illustrating the vast behavioral variation that exists across the primate order. Primate Behavioral Ecology 5th Edition also examines how anthropogenic activities are negatively impacting primate populations, including a thorough analysis of behavioural plasticity and its implications. This fully updated new edition incorporates exciting new discoveries and the most up-to-date approaches in the field to provide an invaluable overview of the field of primate behavioral ecology and its applications to primate conservation. It is considered to be a “must read” for all students interested in primates.

• Sales Rank: #724286 in Books
• Published on: 2016-09-13
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.50" w x 1.25" l, .0 pounds
• Binding: Paperback
• 602 pages

About the Author
Karen B. Strier is a Vilas Research Professor and the Irven DeVore Professor of Anthropology and an Affiliate Professor of Zoology at the University of Wisconsin-Madison, where she has been teaching since 1989. Her main research interests are to understand the behavioral ecology of primates from a comparative perspective, and to contribute to conservation efforts on their behalf.

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[W685.Ebook] Download Ebook Did I Mention I Love You?, by Estelle Maskame

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Love is everything but expected.

Eden Monro came to California for a summer of sun, sand and celebrities – what better way to forget about the drama back home? Until she meets her new family of strangers: a dad she hasn't seen in three years, a stepmonster and three stepbrothers.

Eden gets her own room in her dad's fancy house in Santa Monica. A room right next door to her oldest stepbrother, Tyler Bruce. Whom she cannot stand. He's got angry green eyes and ego bigger than a Beverly Hills mansion. She's never felt such intense dislike for someone. But the two are constantly thrown together as his group of friends pull her into their world of rule-breaking, partying and pier-hanging.

And the more she tries to understand what makes Tyler burn hotter than the California sun, the more Eden finds herself falling for the one person she shouldn't...

Did I Mention I Love You? is the addictive first book in Wattpad sensation Estelle Maskame's DIMILY trilogy: three unforgettable summers of secrets, heartbreak and forbidden romance.

• Sales Rank: #176010 in Books
• Published on: 2015-12-01
• Released on: 2015-12-01
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x 1.10" w x 5.50" l, .0 pounds
• Binding: Paperback
• 416 pages

From School Library Journal
Gr 9 Up—Eden Munro is a self-conscious yet strong 16-year-old who is spending her summer vacation in her estranged father's California home with his new wife and three new stepbrothers. Her father's decision to leave her family more than three years ago results in feelings of abandonment in the teen. Although still angry with him, she decides to accept his offer to stay for the summer as a way to avoid some issues she faces in Portland, where she's from. Upon her arrival, Eden meets her oldest stepbrother, Tyler Bruce, whom she initially describes as obnoxious, conceited, and an angry drug abuser who appears to be living behind some very high walls he has created for himself. Despite Eden's apprehension about befriending anyone associated with Tyler, she finds herself enjoying her time with his small group of friends. However, the more time she spends with Tyler, the more they both realize there is a forbidden attraction that they cannot deny. Written in first person, Maskame's trilogy opener is an excellent portrayal of a teenage girl's life in the 21st century. Eden has to adjust to her blended family, try to feel pretty, be body conscious, and make friends, all while falling in love for the first time. She is someone all young people can relate to. Although very much a young love story, this tale also addresses some very serious issues, such as betrayal, drug abuse, child abuse, and peer pressure. VERDICT Romance fans will be captivated by Eden and her journey to finding herself and true love.—Bernice La Porta, Susan E. Wagner High School, Staten Island, NY

Review
"A believable coming-of-age story and an unconventional romance, set against a present-day California summer... . The fallout of divorce, the insidiousness of substance abuse and family secrets, and especially the pangs of first love drive this emotionally resonant tale. " - Publishers Weekly

"Written in first person, Maskame's trilogy opener is an excellent portrayal of a teenage girl's life in the 21st century. Eden has to adjust to her blended family, try to feel pretty, be body conscious, and make friends, all while falling in love for the first time. She is someone all young people can relate to...Romance fans will be captivated by Eden and her journey to finding herself and true love." - School Library Journal

"Readers will root for them, like they would with Edward and Bella-the mutual attraction and need for one another is palpable. It rings of passion, excitement, and first love." - VOYA Magazine

"A solid romance with a tantalizing helping of forbidden love... Hand to fans of Jennifer Echols and Sarah Dessen" - Booklist

"The ending was SO unexpected!! It is different than most romance stories. It keeps you on your toes and makes you want to keep reading." - SLJ Teen

"An edgy young adult romance with dark layers" - Examiner

"Make sure you pick up this sexy, young adult title!" - The San Francisco Book Review

About the Author
Hey! I'm Estelle Maskame and I write the DIMILY trilogy! I'm a total bookworm and YA addict, not to mention a hopeless romantic. I've always adored books and writing while growing up, and all throughout primary school I loved to write stories about talking dolphins and pirate ships. Admittedly, I've moved away from the eight-year-old fantasy genre and now focus on writing YA romance.

I grew up in a small town called Peterhead in the North-east of Scotland, and I belong to a huge fishing family! My favourite things include books, hot chocolate (with cream and marshmallows, of course), road trips, new clothes, my best friends, and chicken nuggets. On another note, I absolutely hate terrible drivers, snow, the dentist, and people who wake me up before 10AM.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Buy it ASAP!
By Autumn
I started reading this book on Wattpad as it was being posted and nearly finished it before Estelle decided to take it down to publish it. I loved the book on Wattpad and loved the ending in the published book. This is an amazing Teen Fiction book that I absolutely love. I can't wait to read DIMINY and DIMIMY! I totally recommend this book if you don't mind the step-brother romance topic. Great value and amazing read!

0 of 0 people found the following review helpful.
SO MUCH BETTER THAN AFTER! AND WRITTEN ALOT BETTER TOO
By Bella
I finally managed to finish reading this book and my god, was it a roller-coaster for my emotions. DIMILY, is a story about two step siblings who develop feelings for each other. While trying to keep her attraction to her step brother, Tyler a secret, she discovers other hidden secrets and ascepts of her new love/brothers life.

Tyler is a multitude of hidden secrets that are the cause of his outbursts and needs for a distraction. When her dad marries his mother, Tyler makes it no secret that he hates Eden right off the bat. But one night, haterd turns to affection, leading to a disarray of emotions within Eden.

You are not suppose to fall in love with your stepbrother, especially when he has a girlfriend, who is now your bestfriend.

DIMILY is similiar in a sense to Anna Todd's After series 1) it had me HOOKED and 2) they were both published in Wattpad. But that is where the similarities end, DIMILY is written ten times more well than After. The character of Eden didn't cry or whine as much as Tessa and Tyler, while he was messed up, he owned it and knew WHY and wasn't as violent. He was a jerk, very much but he used his love for Eden as a distraction from his troubles.

The story was so emotional and well thought out, i was hooked from the very beginning. I was mad at Eden towards the en of the book, after the events of Tiffani's lie was exposed and how she handle things in the car. I knew what she was doing was right in a way, but how could she just shut everything off like that? It was so painful to read.

I can not wait to read Book 2. I can not wait to see what, Estelle puts us through next.

Overall Rating: 10 Hot Tylers

2 of 2 people found the following review helpful.
Tyler needs a hug.
By BookNerdMeg
I want to hug Tyler. Hard.

That's the very first thing that comes to mind when I think of this book.

Tyler's character is what made me me REALLY enjoy it. He's a complete mystery until the very last page. Shoot, he's STILL a mystery. He's sweet one moment and a total jerk the next. He has this whole different side that you just want to dig into and learn all of his secrets...and he has a lot!

Eden...I have such mixed feelings toward. I want to shake her and tell her "DON'T YOU GET IT!" when it comes to Tyler, especially since she's all in psychology. But once she does get it, she's too does this complete 180 and I finally feel like she's headed down the right path in her future career because I can see how smart she is.

Their relationship and the way they work together just...well, works. The realism is my favorite part. It's not a fantasy, it's not easy, it's not "oh we'll work through it" type of thing. It's twisted and real and raw and good. The angst and drama was sprinkled in perfectly.

The ending...that was good. That was perfect. Because you COULD call this the end. But you don't want to. No, you WANT to go next Summer. You NEED to go next Summer. So, you're GOING TO GO next Summer. Because Eden and Tyler are going to suck you into this wicked web they've managed to create. And you're going to like it.

Kudos to Maskame! You've created a story that grips the reader but also puts a lot into perspective when it comes to how complicated a relationship can be...at any age or stage in life. I'm looking forward to Did I Mention I Need You.

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[W249.Ebook] Ebook Download Adventures of a Kid Magician: From the Magical Life of Justin Flom, by Scott Flom, Judy Flom-Hill, Justin Flom

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Adventures of a Kid Magician is Zach's private journal, detailing how magic gets Zach both into and out of trouble as he learns life lessons! Along with Zach's thrilling stories and eye-catching sketches, each adventure comes with a secret magic code that will take you to an exclusive online video of the actual magic tricks used in the adventure! You too will experience the excitement of fooling and impressing your friends with top magician Justin Flom's creative instruction.

• Sales Rank: #53412 in Books
• Published on: 2016-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.10" h x .90" w x 5.50" l, .0 pounds
• Binding: Hardcover
• 208 pages

About the Author
Justin Flom s path to crafting his own unique brand of magic has taken a circuitous route from his home town of Eden Prairie, Minnesota to Branson, Missouri to the SyFy Channel to some of the largest arenas in the country to being one of the first magicians to focus on social media on his way to becoming one of America s most sought-after magicians surpassing entertaining 100,000,000 fans in 2015. What sets Justin Flom apart from most other magicians is the simplicity of his magic and the fact that he cracked the code on doing close-up magic on giant stages. He holds the distinction of being the first magician ever to perform card tricks for a sold out crowd at the fabled Madison Square Garden.

Scott Flom is magic. Not because he's a magician, but because he's found time to nurture his passion for magic all while being a successful salesman, entrepreneur, husband, and father.  Scott was fifteen years old when he began practicing simple magic tricks with his older brother, Larry. Soon this hobby became a way of life as Larry used magic in his job as a history teacher and Scott and his career as a salesman. Using his creative skills and building relationships, Scott was soon one of the top salesman for his company nationally. As Scott and his wife Lisa began raising a family, each child was taught life lessons through magic and variety arts. People would visit from all over the country to spend time at the Flom house, as you never knew what would unicycle or juggle by the dinner table. He built his home with secret passageways, talking wall fixtures, and even a bowling alley. Scott is still a top salesman, he is still building magic into his home, and he still sharing life lessons through magic. He would tell you his whole life has been an amazing magical adventure. As he often says, "God promises to give you more than you can imagine, and I have a great imagination!"

Judy Flom-Hill is the proud aunt and godmother of Justin, and she has marveled at his magical prowess from the time he was two years old and starring in his family's magic productions. Her older brother, Larry, and her younger brother, Scott, awed her with their amazing feats of magic, the secrets of which they never divulged. Justin is now the third generation of Flom men to amaze and delight.  She is the author of two suspense novels under the name of Judith Shoemaker-Hill. Writing Lady Lazarus and Know Thine Enemy was an exhilarating experience, but collaborating with her brother and nephew was a new and wonderful literary joyride. Hopefully you will have as much fun reading these adventures as they had creating them.

Drew Blom is an illustrator, designer, and art director. He specializes in children's books, comics, and graphic novels, illustrative logo design, and caricature. His work has been published in over a dozen books, and has been featured in Venture Beat and The Washington Post. Drew currently lives in Minneapolis with his wife, Liz, and their three children.

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0 of 0 people found the following review helpful.
what a fun book!!!
By P. Bartolini
My 6th grader loves this book. He loves the story and then the interaction online. We love watching all of Justin's videos and I'm thankful I can point to Justin as a man of God with integrity for my son to watch. You're the best Justin!!!!

0 of 0 people found the following review helpful.
Five Stars
By teacher
It only took 2 days to get this book. My granddaughter is excited to start reading it.

0 of 0 people found the following review helpful.
But he enjoyed it.
By Dawn
Actually it was for one of my grandsons. But he enjoyed it.

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